“The Young Lady”
Winner of the
William Hoggan Thomas
Memorial Award at the ASV
2006 Annual & Awards
Exhibition.
The Association of Sculptors of Victoria is an inclusive, not-for-profit collective of contemporary artists whose purpose is to inspire,stimulate and advance the appreciation, creation, and exploration of three-dimensional art in society.
President’s Message July
A short news letter this time, combining July and August due to end of financial year commitments. Apologies to all members, but I have deferred the AGM due to the need for greater preparation. We will hold it as soon as possible.
…..Geoff Williams
…..Geoff Williams
ASV Coming Activities
Wednesday 11 August 2010: Julee Latimer, sculptor in mosaics,
note ASV AGM postponed: www.juleelatimermosaics.com.
MISS AUDACIOUS
Glass over concrete sculpture; H70cm x W40cm
Featured in the International Mosaic Yearbook 2009
LONG FACE
Glass over concrete sculpture;
H 155cm including metal stand
Copyright Chromakarma
Image HONE photography
note ASV AGM postponed: www.juleelatimermosaics.com.
MISS AUDACIOUS
Glass over concrete sculpture; H70cm x W40cm
Featured in the International Mosaic Yearbook 2009
LONG FACEGlass over concrete sculpture;
H 155cm including metal stand
Copyright Chromakarma
Image HONE photography
Wednesday 6 October to Sunday 31 October 2010:
ASV Annual Exhibition at The Light Factory Gallery, 21 Brougham St, Eltham: organised by Marija Patterson and Beatrice Magalotti: 200 square metres indoors and another 200 square metres outdoors: see Notices below. http://thelightfactorygallery.com.au
Important notice to ASV Members
Payment of $30 per entry will only be accepted for ASV members who have paid 2010/2011 fees by the 20th August. Later membership payment will be considered as non-member exhibitor and entries charged at $50 per entry.
Payment of $30 per entry will only be accepted for ASV members who have paid 2010/2011 fees by the 20th August. Later membership payment will be considered as non-member exhibitor and entries charged at $50 per entry.
ANNUAL EXHIBITION AND AWARDS of the ASSOCIATION OF SCULPTORS OF VICTORIA INC.
To be held from 6 – 31 October 2010
at THE LIGHT FACTORY GALLERY 21 BROUGHAM STREET ELTHAM VIC
CALLING FOR ENTRIES FROM EMERGING SCULPTORS WITH
To be held from 6 – 31 October 2010
at THE LIGHT FACTORY GALLERY 21 BROUGHAM STREET ELTHAM VIC
CALLING FOR ENTRIES FROM EMERGING SCULPTORS WITH
Less than 10 years’ experience to enter the
Prestigious Andor Meszaros Prize
FIRST PRIZE $1000 AND MEDALLION, SECOND PRIZE $500
Entries are invited from member sculptors with
Prestigious Andor Meszaros Prize
FIRST PRIZE $1000 AND MEDALLION, SECOND PRIZE $500
Entries are invited from member sculptors with
greater than 10 years’ exhibition experience to the
Margaret Gunnersen and William Hoggan Thomas Award
Entry forms and information www.sculptorsvictoria.asn.au tel Marija 03 9489 4537
http://www.sculptorsvictoria.asn.au/aae_2010_conditions.pdf and http://www.sculptorsvictoria.asn.au/aae_2010_entry.pdf
Entries close 20th August 2010 at 5 pm
Margaret Gunnersen and William Hoggan Thomas Award
Entry forms and information www.sculptorsvictoria.asn.au tel Marija 03 9489 4537
http://www.sculptorsvictoria.asn.au/aae_2010_conditions.pdf and http://www.sculptorsvictoria.asn.au/aae_2010_entry.pdf
Entries close 20th August 2010 at 5 pm
Feature Sculptor This Month: Rod Sanders
Rod, working as a pharmacist, was greatly influenced by student work at RMIT and the Centre 5 group of sculptors, so much so that he undertook a degree part time at RMIT in fine arts. Six years by a mature student part time was no mean feat. He subsequently sold the pharmacy, bought property at Red Hill, and joined the ASV in the late 1970s. He was greatly influenced by Carl Duldig in these early days, and with his encouragement started to exhibit continuously. Initial work was using laminated wood but glue problems led him to turn to steel brought home by his daughters from BHP, and subsequently he found great satisfaction with Corten steel.
Rod says he prefers to build rather than carve, and prefers independence from a foundry. His process involves drawings, then a Marquette in industrial plasticine with steel armatures. Templates are made on paper, enlarged 3 times, and then wooden templates crated on chipboard. Steel is cut with a plasma torch, and then a battle royal starts to form the steel as in the Marquette, and weld the whole together so we can’t see the joins.
Rod started with very figurative work, became very abstract in his RMIT studies, and is now most happy with a combination of figurative and abstractive elements.
His “Young Lady” won the ASV Margaret Gunnerson-Thomas prize in 2006. He has been a loyal ASV supporter, was President for a year, and has also run various ASV activites.
Pressure of farm work inhibits production of sculpture at times.
Keep it up Rod! Even if neither major political party seems to have a clear policy on supporting the Arts.
“Beach Girl”
Rod says he prefers to build rather than carve, and prefers independence from a foundry. His process involves drawings, then a Marquette in industrial plasticine with steel armatures. Templates are made on paper, enlarged 3 times, and then wooden templates crated on chipboard. Steel is cut with a plasma torch, and then a battle royal starts to form the steel as in the Marquette, and weld the whole together so we can’t see the joins.
Rod started with very figurative work, became very abstract in his RMIT studies, and is now most happy with a combination of figurative and abstractive elements.
His “Young Lady” won the ASV Margaret Gunnerson-Thomas prize in 2006. He has been a loyal ASV supporter, was President for a year, and has also run various ASV activites.
Pressure of farm work inhibits production of sculpture at times.
Keep it up Rod! Even if neither major political party seems to have a clear policy on supporting the Arts.
“Beach Girl”
“Non-consensus”
Member Exhibition
Re-invent Re-interpret Re-make Exhibition.
Curated by Mardi Nowak
August 4 to 28, 2010.
Adrian Conti, Jasmin Coleman, Natalie Kosnar, Marija Patterson (ASV), Madeleine Preston, Elizabeth Nelson.
Polyethylene, metal, pigment
20 x 20 x 50 cm
“Erosion”
Polyethylene, paper, metal, shelac
18 x 12 x 32 cm
Polyethylene, paper, metal, shelac
18 x 12 x 32 cm
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