The Association of Sculptors of Victoria is an inclusive, not-for-profit collective of contemporary artists whose purpose is to inspire,stimulate and advance the appreciation, creation, and exploration of three-dimensional art in society.

President's Message September 2008

International Encounters

I first spotted the young couple when I stood up and stretched my back. Digging with my spade to level the ground to install a sculpture takes its toll. They were looking at the details of one in the other row; he touching, she talking. We had been setting up the show under leaden skies with the odd spot of rain and keeping the steady trickle of visitors, who wanted to see the tulips and buy some bulbs, entertained; those who ventured among the sculptures that is. By the time we had finished the one we were working on the couple had made it to the end of one row and turned to come up the other. My glances followed their progress; they were clearly engrossed.

We met as I scraped the earth off my spade, puffed from digging. In answer to my, what I believed to be, rhetorical question as to whether they were enjoying the sculptures they both grinned and replied in the affirmative. ‘Great, wonderful’, were their replies, ‘such variety’.

Two young Americans from New York here on working visas, living in Chelsea by the beach up in the hills for the day, just called in to Tesselaar out of interest and found sculptures. She, Hilary (no, not that one) is a personal trainer, dressed as such in track suit, trainers and beanie; he, Aaron, a mechanical engineer dressed, well, like a mechanical engineer. He designs machines for a company that also has a foundry in which car parts and such-like are cast by the million. They also cast sculptures. These, usually one-offs, are more interesting and challenging, he said, and sometimes pushes their expertise to the limits unlike the routine of car parts; ‘drives them mad’, were the words he used but he said it with such a beaming smile that I knew he enjoyed the work.

They told me of Storm King, a sculpture park in New York State. I remarked that its title had a whiff of Disney about it but was assured of its superior credentials. Five hundred acres is home to hundreds of permanent outdoor sculptures collected since World War 2 they told me. Americans predominate of course but other big names are represented too including Calder, Moore, Noguchi and Goldsworthy; so many you cannot see them all in a day and you would definitely need meal breaks.

We talked of other big sculpture parks. Yorkshire, with its own particularly English flavour, was mentioned and, as you might expect in this Olympic year, so was China. The Changchun Sculpture Park is home to a similar collection of modernism, a little post-modernism and with a heavy dose of social realism thrown in. We agreed that these proportions of this combination would change, no doubt, as does China but thought it would be a long time before the distinctive flavour of sculpture parks would be overcome by the march of homogenisation.

I explained our purpose at Tesselaar and told Hilary and Aaron of the McClelland Sculpture Park. They assured me they will take their New York visitors there in November.

Who would have thought that a mechanical engineer and a personal trainer from the other side of the world and a puffing old man with a spade could be connected by sculpture, but then, you see, the most important characteristic of sculpture, like all the arts, is its ability to unify.

John Wooller President

ASV Diary Dates

Meetings are held in the Boroondara Community Arts Room, rear 360 Burwood Road, Hawthorn and start at 7:30pm.
1st September to 4th October
Annual Exhibition at Montsalvat
11th September to 8th October
Tesselaar Sculpture Prize exhibition.
15th October
Marija Patterson has kindly agreed to talk about her work. We'll set to and vote on the new constitution. Notice of this has been sent to members separately and some discussion put onto the news blog. As well as this there is further discussion in this newsletter.
12th November
This will be our AGM. Normally we call for nominations in the September newsletter – however this will be done after the October 15 meeting this year.
Please come and help set our path for the coming year.
Christmas party
Yes we will party! On Sunday 7th December at Diana and Tim Kervin's house in Hurstbridge.

Minority Report on the Proposed Constitution

A constitution is one of the important policy documents an organisation holds. So a change to the constitution needs to be regarded in the light of our raison d'être The proposed constitution that has been put before the members was only agreed upon after I left the constitution sub-committee. There is such a difference of opinion between my view of the ASV and that of the rest of the committee that there was no resolution or compromise possible. So for what it is worth - here is my commentary on the proposed constitution.

Membership

My contention is that to change the membership of the ASV from being an association of sculptors to an association of people interested in sculpture is such a radical change as to make it a different organisation. For example the change would make our website an invasion of privacy for non-sculptor members. Similarly enlarging the membership base is likely to exacerbate rather than ameliorate our problems in gaining a quorum at meetings. I made a proposal for the membership structure – it's on the Sculpere blog site.

Accountability

In general the constitution is very light on providing for accountability. This is something which we now have an opportunity to address.

I would like to move that the annual report (including the financial report and the president's report) of the association be sent out or otherwise (e.g. through the website) made available to members three weeks prior to the AGM

since the annual exhibition falls between the end of the financial year and the annual general meeting there is the possibility that a proper report would not be made until 18 months after the event. So I think it reasonable that for each exhibition and other major event the members should receive/have made available a full report including a financial analysis. This would not be particularly difficult to do if we develop a proforma for each event.

Governance

In general, annual elections and lots of elected officer bearers is a façade of democracy – in actual fact we have volunteers who offer to undertake tasks and they are “declared elected”. We have become so obsessed with filling the executive functions that we have lost sight of the policy decisions that need to be made in every organisation. Policy is made on the run by the volunteers without reference to either the membership – or the bigger picture of the mission statement of the ASV. If we are revising our constitution let's take a good look at governance and be creative about how we balance the technicalities of getting the work done against the need to keep our policy and motivation in front of us. I think we might consider a new way of running our organisation:

we could elect a board of three or five individuals to manage policy

that board would then appoint staff/systems/sub-committees/volunteers to undertake the tasks of running the association.

The board would be answerable to the members in the reporting system outlined above and at general meetings throughout the year. They could serve a three year term, with an option to serve longer if re-elected.

We would then need to define carefully what administrative standards we need – but taking time to think about this is an advantage: in the proposed constitution no mention has been made of the work of the membership officer. Few people in fact realise how much work is done by that officer or how important this work is to the running of the ASV. I don't say this is the only or even the best way of organising ourselves but it has the advantage that we put policy in the hands of elected sculptors and give greater flexibility in how we achieve the administration of the activities. I do believe that this is worthy of discussion.

Committee

I believe the proposed constitution is going to run into trouble here. The Associations Incorporation Act allows for the Public Officer to hold another position but says that a member may only nominate for one position on the committee – this would indicate that the clause allowing committee members to hold more than one position is invalid. If we are going to make a revision then we should look at the whole governance issue – as above – and discuss our plans with the relevant authorities and Arts Law.

Quorum

One of the reasons the ASV set about to change the constitution was to reduce the quorum required at general meetings – because we were having so much trouble achieving the numbers. At the moment the constitution states:

Eleven members personally present or 25% of membership members personally present whichever is the greater (being members entitled under these rules to vote at a general meeting) constitute a quorum for the transaction of the business of a general meeting.

What with having such a large country membership this is a fairly onerous requirement for a normal business meeting or AGM. On the other hand there is no separate quorum given for special resolutions such as amending the constitution in either the current or the proposed constitution. I suggest we reduce the quorum required for normal business and retain the more rigorous quorum for special resolutions where wider policy considerations are at stake.

Conflict Resolution

The existing constitution allows for an aggrieved member to appeal to a general meeting – I can't imagine the spectacle! So the proposed constitution reduces the right to appealing to a full committee meeting – hardly likely to lead to any resolution other than a resignation. The Associations Incorporation Act model constitution suggests external mediation – a free mediation service is offered by the Disputes Settlement Centre – so I believe this is an appropriate clause for us to adopt.

This AGM

I would like to move that membership fees be reduced by $15 per annum for those members receiving their newsletter via email. I think the current subscription rate is too high in the light of the directive given by the members some years ago that they preferred exhibition fees to rise rather than annual fees – a sort of user pays scenario. The treasurer said that this measure would “cost” the ASV $1,000. That $1,000 or thereabouts has been saved by the change to electronic distribution of the newsletter – if all the members elect to go back to postal delivery we can't deny it to them and then where is the $1,000? The distribution of the $1,000 is a policy decision that has never been debated at committee or general meeting level – hence my proposal.

Jenny Rickards

03 9836 2738

The Annual Exhibition 2008












The Annual Exhibition is still on at Montsalvat, and has been well supported by sculptors sitting the show and running demonstrations at weekends. Naturally enough the people's choice vote has yet to be counted. Prizes awarded at the opening were the Margaret Gunnersen and William Hoggan Thomas Award and Prize, the Andor Meszaros Memorial Medallion and Prize and the new ASV Prize. As of 28th September three works have been sold.

































Tesselaar Sculpture Prize Awarded



The Association congratulates its president, John Wooller, on being announced at the opening of 'Sculpture among the Tulips' on Sunday, 21 September as the inaugural winner of the $5,000 acquisitive Tesselaar Sculpture Prize. The judge, respected Australian sculptor Ernst Fries, also acknowledged the sculptures of Dean Bowen and ASV member Chris Vassallo as joint runners-up in the Prize. Ernst Fries agreed to his judging deliberations being published in this edition of the newsletter for your interest. 'Sculpture among the Tulips' has proven to be a huge success with the general viewing public who have flocked to the Tesselaar Tulip Festival in the Dandenongs in their many thousands. The People's Choice Award is also very popular among visitors with an enormous number of votes already lodged. There is no doubt that the Tesselaar Sculpture Prize has introduced a new and diverse audience to the world of three dimensional art, and this event is sure to be an annual fixture on the arts calendar. Congratulations to all the exhibiting finalists and to Tesselaar for sponsoring this unique sculpture competition and exhibition. The exhibition of sculptures by 15 ASV members and nine other highly regarded Australian and international sculptors is worth viewing, with the sculptures on display in the unique and colourful landscape setting of abundant blooming tulips. Both the exhibition and Tulip Festival close on Wednesday, 8 October.
Mark Cowie, Exhibition Co-ordinator.
Judge's Comments
A great variety of works are on display in the Tesselaar Sculpture Prize, which really demonstrate the enthusiastic and creative approach by artists to create for an environmental outdoor setting. The Prize is an acquisitive one and the winning sculpture will be permanently displayed in a suitable setting within the gardens of Tesselaar and accessible to the
public. Those facts are a very important force in formulating an opinion about the best and most deserving work in this competition. There are some delightful and sensitive works that address the natural environment, but would be more suitable in a more intimate setting. For example, Maria Coyle’s sculpture Friends is a very interesting and lovable work. It has a nice balance overall and the two figures communicate the feeling of a first encounter, a beginning of a friendship, a desire to come closer in body and spirit. The Water Lilies by Anna Meszaros are a delicate and aesthetic work, but the setting and the reason for it given in the artist’s statement do not work at all. If placed in a pond or on a reflective hard surface it would be a wonderful meditative work. Dean Bowen’s Boy with House and Tree is a wonderful work. It is approachable and witty, full of energy and mysteries. I would have liked to see a larger version of it, which would make a wonderful public sculpture. Craftsmanship is an important part of producing sculpture. Some material and even some forms of expression require a deep understanding of the limitations and its achievable possibilities. But sometimes the demonstration of skills takes over and becomes more important than the artistic expression. Figura by Faustas Sadauskas is one of those works in which exquisite craftsmanship is celebrated above artistic expression. Rudi Jass’s Memory of Water also alludes to similar ambitions, but the welding of stainless steel onto cor-ten steel does not enhance the work at all. There are other interesting and challenging works like Penthouse with a View by Robert Waghorn and Frank Barresi’s Bench Bitch. I wonder whether Robert’s Penthouse with a View is a parody of council planning? Houses being built in a scrambled manner on a council rubbish bin might suggest something of that nature. The Bench Bitch vaguely resembles a dog and is constructed out of left-over steel machine parts. Frank has indeed made a bitch of a seat. Other sculptures like Family Tree, Eggular, The Music of Unheard Souls and Halcyon Intercept are very interesting and worthwhile to look at closely. Grant Finck’s Halcyon Intercept with its entwined soft forms heralds the perfect harmony, which we all desire. The Music of Unheard Souls by Mark Cowie is a harmonious work. The curved interaction with other elements of the work, the elegant gracious composition of straight lines and curves and the inherent three-dimensional quality of it makes it very rewarding in experience and gives plenty of visual enrichment. To be fully appreciated Eggular by Chris Vassallo has to be looked at from all sides. The interaction of the different surfaces produces very interesting vistas and indicates the intention of the artist very clearly. John Wooller’s Family Tree is also a very successful statement. I was taken by its rugged harmony and the use of two different sections of material to express the essence of reproduction. The work shows the love of a family, its growth from its beginning, its dependence on each other and the strength inherent in the recognition of belonging. This strength is not weakened by individual expression and developments. Looked at as a whole it gives a handsome rugged Impression. There could be more said about other sculptures. This is a juried competition and Maudie Palmer of TarraWarra Museum of Art does not select unworthy work. Everyone exhibited must be congratulated on being shown on this occasion. I have chosen two runners-up to the acquisitive award, which are Eggular by Chris Vassallo and Boy with House and Tree by Dean Bowen. The winner of the Inaugural Tesselaar Sculpture Prize is Family Tree by John Wooller.
Ernst Fries