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Then I continued weaving my way through the next installations admiring the creative spirit of various artists. Always the thought comes back “What brought them to think of this?” Chairs beautifully made in stainless steel by Oki Sako, are inspired by the 2 Dimensions in Magna comics. The designs incorporate speech bubbles, lines that reflect movement and symbols that visualise emotion. There were lights made from aluminium with a single globe.
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By this time I was wondering what this was all about! Is there a meaning to all of this construction, or is each little section a stand alone statement of creativity?
I kept walking, going deeper into the gallery’s rooms.
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texture and sheer crazy devotion to make the hanging look 3 Dimensional. People stretched out their hands to touch thinking it was folded and crumpled material and foil. But No! Cobblestones painted on one side were in a pile white a wall of wrapped God’s eyes captured attention.
This next room was dark with lights falling on many glass cases holding masks. I thought they looked more like props from Alien movies but no. Neri Oxman created the masks with modern technology, colours and materials, including a 3D printer. Clever!
The next room had warnings to keep moving and to look around. The room was walled with floor to ceiling mirrors and it spun. Once again it was dark but had streaming lights moving circular around the floor. There were sensors to activate light movement and the ceiling sparkled. A very interesting sensory experience.
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I was almost exhausted!
But there’s more.
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It was a busy, surprising and curious exhibition.
Experienced and written by Carmel Ritchie
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